Below are some of the photos taken from the 45 minute slide show presentation by Klaus Dona, in this presentation Klaus shows pictures of artifacts and anomalies from the ancient world.
Klaus Dona comes from the art world. As Art Exhibition Curator for the Habsburg Haus of Austria, Klaus has organized exhibitions worldwide. With this background his approach to archaeology is unconventional. He has travelled the world in search of unique and unexplained findings. Intrepid and unrelenting, he is on a mission to bring to the eye of the public such finds as giant bones, crystal skulls, carvings and sculptures in forms that do not fit into the contemporary view of our timeline. Its amazing how conventional science ignores a lot of this stuff as it does not fit into their theory of evolution.
Its also amazing how a lot of the items shown in this presentation have the pyramid and the eye - which is so relevant in modern day, these icons are used by the Illuminati and the powers to be and can be seen everywhere in the modern world, there is a lot more to this world than we are told, a lot of the history is kept secret and only known by the few they call the Illuminati.
13 step pyramid, like on the U.S dollar bill, found in Ecuador |
Under the black light the pyramid glows |
The center of the triangle is extremely magnetic |
Again under the black light this rare stone glows |
Stainless/Chrome steel was not found until the beginning of the 20th century. here is a steel ball found inside a 17,000 year old statue |
"One of the reasons I believe USA invaded Iraq was to take the ancient artifacts and knowledge from them. This why in the first few days of the invasion the museums were targeted by the us forces and rare items seized and taken away never to be seen again. These ancient artifacts from Iraq are from the dawn of our civilization and there are lot of items that the powers to be do not want us to see or know."
Below is part one of this presentation by Klaus Dona - all of the parts are available on YouTube.
Part II here
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